“I think ‘Country On’ is that kind of emotion.” “It’s a very unifying word, like the one about the Boston Marathon and you saw those shirts in which people united around ‘Boston Strong,'” he remembers. Brian responded to both the sentiment and title of the song. He forwarded the “Country On” demo to Brian, who had Stevens immediately put it on hold. “My heart was filled with hope and pride for our country,” says Stevens. Olsby also produced a demo, although Nestler sent it to producer Jeff Stevens around November. Nestler later finished the demo, slightly altering the melodies of the chorus for something different from the similarly structured verses. That’s what you get up and down every day. “I’m afraid my answer is ‘No, we’re not.’ But the next generation may also walk the line, ‘We haven’t seen our better days,’ and it may be up to them to bring this around. “I look at the world right now, and I go, ‘Are we leaving this place better than every generation expected? says Frazier. “There are a lot of people who weren’t on that list, but I hope they still feel the same way we did.”įor the final stanza, he focused on the Nashville music community from individuals, and then Frazier expanded further-”Hey, hey, USA/We haven’t seen our better days”-leading to a fervor for a nation that Struggling to regain it. “I wish we had a place for this Nurse and doctor,” observes Frazier.
BARTENDER CHORDS DRIVERS
The list is hardly complete: it includes auto mechanics, construction workers, waiters, bus drivers and – hello! Music journalist. After that, he carved out jobs from the start – farmer, truck driver, bartender, fireman and soldier – instructing each of those blue-collar workers “on the country.” “The song,” notes Horie, “is the tip of the hat for America’s backbone.” Olsby found the first of those at the rodeo-”Hey, Cowboy, keep kicking that rope”-including him in the chorus in the first place. “We’d just write a bunch of these little verses and turn it over to a different person and their business each time.” “The melody I was messing with enabled us to say the hook within the first 15 seconds or so of the song,” he explains. Nestler began playing a three-string country progression with Southern rock overtones on acoustic guitar, and he hummed a passage that naturally led to the phrase “country on”. “That’s the thing about a great idea: the better the idea, the easier it is to write a song.” “We had no idea we’d finish it in a few hours,” Oglesby says. Oglesby cautioned that Hori was already involved and should be part of the process, although most of the song was completed that day. What better way than to call it ‘Country On’?”
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“People who are not appreciated many times, they really need someone to give them a pat on their back.
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“We all need a vigorous conversation,” says Nestler. Olsby offered “country on” and his co-writers caught value in its “carry on” meaning. Oglesby’s in the basement of Nashville’s MV2 Entertainment with David Frazier (“Most People Are Good,” “Drinking Class”) and Mark Nestler (“Just to See You Smile,” “You Look Good in My Shirt”) The appointment was, and he batted around the titles for a while, but found none that excited him. What that would happen was not completely clear for a month or two. “Finding that angle,” Olsby says, “really made the song what it is. “And I was like, ‘Yeah, like, ‘Go ahead.’ And man, this is a huge post-COVID-19 thing, the craziest thing going on in the world.” “It was kicked around until it was ‘Country On,'” Hauri recalls. When singer-songwriter Stiles Hauri first proposed the idea during a 90-minute phone call with songwriter Mitch Oglesby in the summer of 2021, the title was “Hillbilly On”, as in “She Loves It When I Mine. “Country On” experienced considerable development to become a blue-collar anthem.